BEYOND THE LENS

ANGELA CASEY

DEAN HOHN

JENNIFER DICKENS

KITTY TAYLOR

ARTIST STATEMENTS

Angela Casey

Casey’s images reside in glossy pools of beautiful darkness, quiet and introspective. In contrast, the presentation is reminiscent of a shiny black television screen, public and exposed.The works delve into the fragility of life and the certainty of death, using vehicles and metaphors of Memento Mori and Dutch Vanitas painting of the 17^th century. “…to fear death in a novel, a short story, a film or an artwork is rapturous because of its distance from reality”. Prue Gibson, The Rapture of Death, 2010.

Dean Hohn

Nature with its various moods creates scenes that can vary from minute to minute. I draw inspiration from nature with its various shapes, colours, patterns and conditions. From these variables I will combine images that have beauty, are mysterious and invite the viewer to generate their own words that reflect what they are seeing before them. I create images that are varied from abstract to soft tranquil settings, hopefully creating something along the way that appeals to all audiences.

Jennifer Dickens

Looking glass self 2, 2014 is an ongoing body of work resulting from two residency at the Rosamond McCulloch Studio, Cite Internationale des Arts, Paris where I visually explored the premium perception of the French culture “brand”. The romanticism associated with “French” underpinned by prestige, tradition and authenticity has long had the ability to surpass our immediacy and provide a sense of added cultural value.

Kitty Taylor

In April 2014 I undertook a residency at Willow Court, New Norfolk, Tasmania. It is the site of an old insane asylum. Here I was able to produce the beginnings of the works for 'Beyond the Lens' The thematic narrative is a blend of dialogue between myself and model Lena Lindblad and site specific investigation.

Artwork from this exhibition is no longer available to purchase.

Angela Casey Still Life Without Him. Edit 1/5. C-Type print mounted on dibond aluminium and framed. 60 x 60cm.	Angela Casey Velvet Quiet. Edit 1/5. C-Type print mounted on dibond aluminium and framed. 30 x 73.1cm.	Angela Casey Unstill Life. Edit 1/5. C-Type print mounted on dibond aluminium and framed. 60 x 91.65cm.
Angela Casey Finite. Edit 1/5. C-Type print mounted on dibond aluminium and framed. 60 x 36.7cm.	Angela Casey The Calling. Edit 1/5. C-Type print mounted on dibond aluminium and framed. 60 x 39.7cm.	Angela Casey First of the Black Suite. Edit 1/5. C-Type print mounted on dibond aluminium. 30 x 30cm.
Angela Casey Second of the Black Suite. Edit 1/5. C-Type print mounted on dibond aluminium. 30 x 30cm.	Angela Casey Third of the Black Suite. Edit 1/5. C-Type print mounted on dibond aluminium. 30 x 30cm.	Angela Casey Fourth of the Black Suite. Edit 1/5. C-Type print mounted on dibond aluminium. 30 x 30cm.
Angela Casey The Arrangement.Edit 1/5. C-Type print mounted on dibond aluminium and framed. 30 x 73.1cm.	Dean Hohn Tannan Pool. Unique state ,Sublimation Print on aluminium, mounted in a silver Art Box. 91 x 71cm SOLD	Dean Hohn Tidal Drive. Unique state ,Sublimation Print on aluminium, mounted in a silver Art Box. 91 x 61cm SOLD
Dean Hohn Seaweed and Maple. Unique state ,Sublimation Print on aluminium, mounted in a silver Art Box. 61 x 91cm	Dean Hohn Grasses in Dunes. Unique state ,Sublimation Print on aluminium, mounted in a silver Art Box. 45 x 30cm	Jennifer Dickens From the gardens of Shalima. 30 x 30cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.
Jennifer Dickens If I had.... 30 x 30cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Jennifer Dickens So French...from the 11th. 30 x 30cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Jennifer Dickens From the Boulevard. 45 x 45cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.
Jennifer Dickens Love Paris. 45 x 45cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Jennifer Dickens Perfect for.... 30 x 30cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Jennifer Dickens Discontinued. 30 x 30cm Ed 2/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.
Jennifer Dickens We'll need silver for.... 30 x 30cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Jennifer Dickens Looking glass self 2. 45 x 45cm Ed 1/6 2AP. Chromajet metallic print face mounted on archival acrylic block and styrene backing.	Kitty Taylor Defragment. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.
Kitty Taylor Streaming. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor Digital Shadow. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor Big Data. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.
Kitty Taylor Male Gaze. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor Succubus. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor Obsolete. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.
Kitty Taylor Score. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor New Norfolk Blue. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor New Norfolk Red. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.
Kitty Taylor New Norfolk Green. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor New Norfolk Circle. 30 X 30cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.	Kitty Taylor Willow Court. 40 X 50cm. Edit 1/3. Pigment on platinum archival silver halide paper, framed.